November 29, December 7, 2019 | Centocelle/Alessandrino Roma
November 29, December 7, 2019 | Centocelle/Alessandrino Roma
November, 29th 2019, 10:00 am | December, 8th 2019, 2:30 am
November 29, December 7, 2019
Centocelle/Alessandrino, Rome Italy, Rome, Italy
Artecnologie MAIN IMAGE

Artecnologie

Net Art

Duration: 7 godzin

piątek, 29 listopada 2019 | 16:00 > 23:00 | Foyer Installazioni
piątek, 29 listopada 2019 | 10:00 > 22:30 | Fucina Alessandrina
sobota, 30 listopada 2019 | 16:00 > 23:00 | Foyer Installazioni
sobota, 30 listopada 2019 | 10:00 > 22:30 | Fucina Alessandrina
piątek, 06 grudnia 2019 | 16:00 > 23:00 | Foyer Installazioni
piątek, 06 grudnia 2019 | 10:00 > 22:30 | Fucina Alessandrina
sobota, 07 grudnia 2019 | 16:00 > 23:00 | Foyer Installazioni
sobota, 07 grudnia 2019 | 10:00 > 22:30 | Fucina Alessandrina
niedziela, 01 grudnia 2019 | 16:00 > 23:00 | Foyer Installazioni
niedziela, 01 grudnia 2019 | 10:00 > 22:30 | Fucina Alessandrina
poniedziałek, 02 grudnia 2019 | 16:00 > 23:00 | Foyer Installazioni
poniedziałek, 02 grudnia 2019 | 10:00 > 22:30 | Fucina Alessandrina
wtorek, 03 grudnia 2019 | 16:00 > 23:00 | Foyer Installazioni
wtorek, 03 grudnia 2019 | 10:00 > 22:30 | Fucina Alessandrina
środa, 04 grudnia 2019 | 16:00 > 23:00 | Foyer Installazioni
środa, 04 grudnia 2019 | 10:00 > 22:30 | Fucina Alessandrina
czwartek, 05 grudnia 2019 | 16:00 > 23:00 | Foyer Installazioni
czwartek, 05 grudnia 2019 | 10:00 > 22:30 | Fucina Alessandrina

[Text available only in English] The exhibition and the congress Artecnologies, that took place in Castel Sant'Angelo in Rome and to which Shockart was invited to take part, embodies how strong and inevitable today has become the need of investigating the relationship between art and new media.

Taking, always more as a consolitated assertion, the fact that this conjunction, by giving several ways of mixing languages (video, photography, sound, drawing, etc.), conferes to the expression a natural development of possibilities, of paths and an unlimitated expansion of the message.

We already knew it, but maybe even somebody else is going to get conviced about how quickly the global approach to reality and to visual art change, how real is the need of finding new codes to unzip, of spending time to indagate and discover the differences among thousand of similar voices, or simply how natural is to communicate by short and synthetized deeds.

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