November 29, December 7, 2019 | Centocelle/Alessandrino Roma
November 29, December 7, 2019 | Centocelle/Alessandrino Roma
November, 29th 2019, 10:00 am | December, 8th 2019, 2:30 am
November 29, December 7, 2019
Centocelle/Alessandrino, Rome Italy, Rome, Italy
Artecnologie MAIN IMAGE

Artecnologie

Net Art

Duration: 7 ore

venerdì, 29 novembre 2019 | 16:00 > 23:00 | Foyer Installazioni
venerdì, 29 novembre 2019 | 10:00 > 22:30 | Fucina Alessandrina
sabato, 30 novembre 2019 | 16:00 > 23:00 | Foyer Installazioni
sabato, 30 novembre 2019 | 10:00 > 22:30 | Fucina Alessandrina
venerdì, 06 dicembre 2019 | 16:00 > 23:00 | Foyer Installazioni
venerdì, 06 dicembre 2019 | 10:00 > 22:30 | Fucina Alessandrina
sabato, 07 dicembre 2019 | 16:00 > 23:00 | Foyer Installazioni
sabato, 07 dicembre 2019 | 10:00 > 22:30 | Fucina Alessandrina
domenica, 01 dicembre 2019 | 16:00 > 23:00 | Foyer Installazioni
domenica, 01 dicembre 2019 | 10:00 > 22:30 | Fucina Alessandrina
lunedì, 02 dicembre 2019 | 16:00 > 23:00 | Foyer Installazioni
lunedì, 02 dicembre 2019 | 10:00 > 22:30 | Fucina Alessandrina
martedì, 03 dicembre 2019 | 16:00 > 23:00 | Foyer Installazioni
martedì, 03 dicembre 2019 | 10:00 > 22:30 | Fucina Alessandrina
mercoledì, 04 dicembre 2019 | 16:00 > 23:00 | Foyer Installazioni
mercoledì, 04 dicembre 2019 | 10:00 > 22:30 | Fucina Alessandrina
giovedì, 05 dicembre 2019 | 16:00 > 23:00 | Foyer Installazioni
giovedì, 05 dicembre 2019 | 10:00 > 22:30 | Fucina Alessandrina

[Text available only in English] The exhibition and the congress Artecnologies, that took place in Castel Sant'Angelo in Rome and to which Shockart was invited to take part, embodies how strong and inevitable today has become the need of investigating the relationship between art and new media.

Taking, always more as a consolitated assertion, the fact that this conjunction, by giving several ways of mixing languages (video, photography, sound, drawing, etc.), conferes to the expression a natural development of possibilities, of paths and an unlimitated expansion of the message.

We already knew it, but maybe even somebody else is going to get conviced about how quickly the global approach to reality and to visual art change, how real is the need of finding new codes to unzip, of spending time to indagate and discover the differences among thousand of similar voices, or simply how natural is to communicate by short and synthetized deeds.

Author