Dissidenti e ortodossi

Speaking at this concert are somehow irregular composers, from the "unruly" conduct, which despite the almost all-tycoon-based training, move away from the new-avant-gardist structuralist tendencies, returning to investigating music in its horizontal evolution; creating a fabric of relationships.
What stands out in the immediate aftermath is a great awareness of the heterogeneity of the instruments and materials these composers have. If we really have to find a common denominator for such a concert, this is definitely the ability to express and narrate.

Manuel Zurria flute
Francesco Dillon cello
Emanuele Torquati piano


Olivier Messiaen (1908-1992)
The Merle Noir (1952) for flute and piano
 
José Maria Sánchez-Verdú (1968)
Deploratio II (2001) for flute and cello
 
Francesco Filidei (1973)
Two Bagatelle (2008) for flute, cello and piano
Prelude and Filastrocca (2010-12) for solo piano

Daniele Bravi (1974)
Visions from the horizon of events * (2017) for solo cello
 
Christophe Bertrand (1981-2010)
Haos (2003) for solo piano
 
Yan Maresz (1966)
Circumambulation (1993) for flute
 
Régis Campo (1968)
Scherzo (2003) for flute, cello and piano