Postmodularism
AV Performance
Duration: 45 min.
venerdì, 19 novembre 2021 | 23:00 > 23:452021-11-19T23:00:00.000Z | Pavilion 1
[Text available only in English] Deleuze & Guattari, in their classic book of postmodernist philosophy, Mille Plateaux, talk about there being states of being in which there are smooth and striated space, that is, the differences between such concepts as the fresh and the developed; open country and built-up landscape; felted and woven (or quilted) fabric.
These contrasts exist only in mixture however, like the yin-yang there is always a part of one in the other. Gardens in cities, peaceful moments in wartime, one in the many.
This audiovisual performance tries to use such contrasts as: analogue in the digital, field recordings with the generative modular sounds, random sequences of notes vs the composed.
The wind sounds are recorded at UK stone circles, the Neolithic beginnings of civilisation: (striated) protoarchitecture in (smooth) rural space. They are processed to be mixed with other audio elements and performed in quiet pockets of urban locations, brutalist structures (car parks, libraries, ring-roads etc), theatres and clubs. Visuals use quilting patterns to display generative modular video patterns in varying ways.
These contrasts exist only in mixture however, like the yin-yang there is always a part of one in the other. Gardens in cities, peaceful moments in wartime, one in the many.
This audiovisual performance tries to use such contrasts as: analogue in the digital, field recordings with the generative modular sounds, random sequences of notes vs the composed.
The wind sounds are recorded at UK stone circles, the Neolithic beginnings of civilisation: (striated) protoarchitecture in (smooth) rural space. They are processed to be mixed with other audio elements and performed in quiet pockets of urban locations, brutalist structures (car parks, libraries, ring-roads etc), theatres and clubs. Visuals use quilting patterns to display generative modular video patterns in varying ways.
Author
Come artista, io utilizzo la tecnologia in continua evoluzione, non solo come un mezzo in sé, ma anche come soggetto.
Streaming, stratificazione e reinterpretazione molteplici di forme d'arte contemporanea dal vivo. Trovare dove la scienza incontra la spiritualità e percorrere la linea sottile che esiste tra i due campi, senza indulgere al dogma della pseudoscienza e senza cadere nella miopia scientifica.
Dedico l'uso della tecnologia al fine di improvvisare immagini dal vivo che si relazionano e influenzano direttamente la situazione, ovvero musica,...